🦨 A Quiet Evening Of Dance William Forsythe

WilliamForsythe s’entoure de huit interprètes pour une soirée qui va à l’essentiel : un rigoureux travail de tressage de la danse et de la musique. A Quiet Evening of Dance donne à voir la rigueur incomparable de l’œuvre de l’un des plus grands chorégraphes de sa génération tout en parvenant à créer une conversation inédite entre break et baroque. BillCooper. A Quiet Evening of Dance is a curated program of short pieces that premiered earlier this month at Sadler’s Wells in London and De Singel in Antwerp before coming to Melbourne Festival. 5WnXjdW. Accessibility helpSkip to navigationSkip to contentSkip to footer Cookies on FT Sites We use cookies for a number of reasons, such as keeping FT Sites reliable and secure, personalising content and ads, providing social media features and to analyse how our Sites are used. 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While figures of the baroque origin of ballet are combined with the introduction of break-dance on stage; Forsythe brings 17th and 21st century dance together. Bouncing from classical vocabulary to hip-hop, he cleverly choreographs a flickering relationship between them, consisting of echoes, incorporations and even light-hearted confrontations. The theatre’s lights remain on during the first part of the evening, which begins suddenly when two dancers appear on stage. With music sounding like a peaceful afternoon, and lights out only seconds before intermission, the first part recalls a rehearsal where dancers decipher and deconstruct engaging the audience, fundamentals of ballet’s vocabulary are displayed by Jill Johnson and Christopher Roman in Catalogue, second edition two shoulders and a pair of hips draw horizontal, vertical and diagonal lines displaying the basis of ballet’s traditional haut-du-corps work. Yet, the dancers explore beyond the confines of the rules, twisting the lines and unveiling the choreographer’s 40 year-long exploration of movement. His masterful sketching of bodily forms is regularly hinted at by costumes highlighting the dancers’ extremities with bright colours. And once Parvaneh Scharafali gracefully pauses for an attitude, the exceptional fluidity of the movement on display is suddenly and Epilogue, which frame Catalogue, delicately introduce break-dancer Rauf “Rubberlegz” Yasit to the stage who slowly infuses tonight’s new works with hip-hop. Movements of the contemporary style are, at first, softly – and nearly imperceptibly – included in the evening goes from strength to strength with Seventeen/Twenty One, a thrilling and humorous dance delight, which brings a brilliant end to the evening. All dancers show exceptional virtuosity and precision, Rauf “Rubberlegz” Yasit smoothly blending in with Forsythe’s seven long-time collaborators, often bringing the audience to laughter, surprise and awe. The last piece delivers a fascinating chronological mix where styles richly interact with each other, confirming once more William Forsythe’s incredible intelligence and his continued ability to enrich ballet today. 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a quiet evening of dance william forsythe